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Tagh'eer Lahore - Creative Space
The mission of Tagh'eer Lahore is to collect, preserve, study, exhibit, and stimulate appreciation for and advance knowledge of the arts in the service of the public and in accordance with the highest professional standards.

Currently on Display

Our Events

09
Sep, 2022
04
Nov, 2022

Part and Parcel

November 4, 2022 03:00
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14
Oct, 2022

Retracing Spatial Memory

October 14, 2022 17:00-October 27, 2022 20:00
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Retracing Spatial Memory

New works by : Ayesha Naeem | Aymen Alam | Hafsa Nouman | Momina Javed | Nabeel Naveed Ayesha feels she is unable to forget a home after the process…
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Part and Parcel

In the experimental artistic simmer of the late 1950 s, the everyday creativity of letter writing gave rise to a veritable movement that of “mail art,” an antiestablishment, anything goes…
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Mariam Abraaz and Nashmia Haroon

Every woman is divine.Her every act, sacred.We know her with different names, devi, goddess, mother, friend. My paintings represent her with symbols of divinity from sacred text and mythology. Whether…
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What We Offer

Exhibitions, events and digital art experiences, crafted with brilliance, love, precision and pride.

Our Blogs

Press and Publication

Jennifer Rae Forsyth and Shireen Ikramullah

When we now hear the words “social distancing” and “isolating”, their original meaning has been replaced with a clinical interpretation that is mainly ......

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Musical Evening For Flood Relief

Lahore saw its musicians and singers come together to raise funds for flood victims at a mehfil organised and hosted by Tagh’eer Lahore Creative Space.

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Popup Art Exhibition For Flood Relief

About 50 artists got together and sent their 120 artworks, including calligraphy and sculptures, for an exhibition at Tagh’eer Lahore Creative Space in ......

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Familia

Walking into the exhibition titled Familia, viewers come face to face with four photographers whose creative practices have been touched by the beauty they found at home. The exhibition is the brainchild of Nashmia Haroon, a...........

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